SAYING NO TO BEAUTIFUL BAHAMAS BIRDS…

Writing a bird book involves defining parameters at an early stage. Best to avoid working them out 6 months into the project; or (worse) letting them evolve gradually as each obstacle along the stony track to the printers is encountered. Far better to decide the general rules of engagement at the outset, and be able to tweak them later if need be. 

And so it was that we stayed for a convivial weekend with Peter and Jane Mantle to discuss the pros and the cons, the whys and the wherefores, the format and the style of a book to showcase the birds of Abaco. And how on earth to get started on the project…

One thing was clear at the outset. It was essential that every photograph in the book would have to be taken on Abaco. It wasn’t to be ‘The Birds of Abaco including Birds from Grand Bahama, New Providence, Eleuthera and Inagua that You Might also Find on Abaco’. Or ‘The Birds of Abaco, Mostly’. And there was to be no cheating.

The project involved the work of some 30 photographers in all, from the prolific to a couple of people who offered a single excellent photo. I amassed a large archive, though only a percentage could be used. For example many fine photos fell by the wayside because resolution was inadequate for high-quality print purposes.  

I also collected plenty of folders containing images of birds we desperately wanted to include, that were not all taken on Abaco but were part of a wider field trip. These were ruthlessly (but painfully) excluded from consideration. In fact, to stick within the (self-imposed) guidelines, I set aside all photos that I was not certain had been taken on Abaco. Where there was doubt, they were out.

This post contains a selection of photos from the Aviary des Refusés. We would have loved to have included the peregrine falcon and burrowing owl, for example, but had no Abaco images to use then. Other bird species were in any event disqualified for being unknown on Abaco. A Pearly-eyed Thrasher recently found its way to Treasure Cay, this first recorded for Abaco; yet could be found elsewhere in the Bahamas two years ago.

Credits: Woody Bracey for taking / supplying a most of these great images, with Tony Hepburn, Bruce Hallett, Melissa Maura (the wonderful Flamingos) and all those involved in the joint field trips from which some of these photos originate. And Peter Mantle for having the idea for the book and for being wholeheartedly supportive through thick and thin…