In times of trouble, of grief and of despair, humans have an instinct to rally round for the greater good. Right now, I am very conscious that on Abaco – and indeed Grand Bahama – there is little or no time or mental space for overmuch concern about the wildlife. I am safely distanced from the tragedies and dire misfortunes of the countless individuals, families and communities affected by Hurricane Dorian. In this post I simply offer some images of birds – all photographed on Abaco – that are bonded together as adults or adult and chick, as symbolic of the huge combined human efforts on Abaco to comfort, restore, and rebuild a shattered island.
Northern Bobwhites, Abaco backcountry – Tom Sheley
Piping Plover, Delphi Beach Abaco – Keith Salvesen
Abaco Parrots – Peter Mantle
Neotropic Cormorants, Treasure Cay, Abaco – Bruce Hallett
Common Gallinule adult & chick, Abaco – Tom Sheley
Early reports and post-hurricane news for Abaco is fortunately encouraging, though I appreciate that the Island’s good fortune at the eleventh hour swerve by Matthew only meant that others came into the direct firing line. Plenty of environmental damage, of course, but in human terms the harm seems mercifully light.
It’s too early to determine the impact on the wildlife of Abaco. The migratory winter birds must be wondering why they bothered this year. Land birds are obviously put at risk by the trashing of their habitat in the violent winds. Shore birds, too, are vulnerable: some beaches on Abaco are open to big tidal surges in high winds. Massive waves have smashed their way up the beach at Delphi. Long Beach, where the largest concentrations of piping plovers congregate at certain times, is also very exposed to surges.
Time will tell how the birds have fared. Meanwhile, here are some cheerful pictures – some of my favourite species – to relieve the gloom.
OPTIONAL MUSICAL DIGRESSION
‘BRYTER LAYTER’ was the second album by a ‘troubled genius’, the supremely talented but sadly doomed Nick Drake. Released in 1971, it failed to convert the ripples caused by his debut ‘Five Leaves Left’ (1969) into a deserved wave of popularity, not least because Drake was already starting his gradual retreat from live performance, from social contact, and indeed from life. Here’s the title track, a pastoral instrumental with orchestral embellishments, and (unusually) without Drake’s distinctive, wistful voice.
Credits: NASA / ISS, News open sources, Peter Mantle, Keith Salvesen, Bruce Hallett, Tom Shelley