ABACO HISTORY: GREEN TURTLE CAY & THOSE WHO STAYED


Black Sound, GTC, Abaco (Amanda Diedrick)

‘THOSE WHO STAYED’

I am very pleased to feature Amanda Diedrick’s wonderful new book about the the history of Abaco generally and Green Turtle Cay specifically. Publication is imminent. Without more ado I will leave you with Amanda’s own description of her book, which is illustrated with paintings by illustrious Abaco & GTC artist Alton Lowe. It also contains unique historic photographs that record Abaco’s rich heritage. The book details are shown below, and there’s even a handy Paypal link if – as I hope – you cannot be restrained from the temptation to buy a copy. Or maybe two. And you can follow Amanda’s fascinating and rewarding blog at LITTLE HOUSE BY THE FERRY

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“Visitors often describe New Plymouth on Green Turtle Cay as a charming fishing village, its narrow streets, clapboard homes and colourful flowers reminiscent of a New England town.

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But beneath this sweet façade is a past of piracy, poverty and privilege.

Hints of New Plymouth’s history are all around. A rusted anchor at Settlement Point. Two cannon standing guard on the public dock. Broken tombstones on the beach.  An old jail with stairs that lead nowhere.

For more than a thousand years, settlers have come here, drawn by the safety of the land and the bounty of the sea. And as the waves contour the shore, so have these migrants shaped this tiny cay.

By fate and occasionally by force, most were carried away.  A resilient few remained.

This is their story.”

ABOUT THOSE WHO STAYED

  • Print length: 185 pages
  • Book size: 8.5” x 11”
  • Full colour
  • Hard cover
  • Publication date: November 20, 2016
  • Images: 200+, including many never-before published historic photographs, and original oil paintings by world-renowned artist and Green Turtle Cay native, Alton Lowe
  • Price: $79.00

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Books will ship at the end of November. All orders received by November 25 will be delivered before Christmas.

ABOUT THE AUTHORamanda-profile-pic-for-web

A writer for more than 25 years, Amanda Diedrick is a ninth-generation Bahamian who counts Loyalist settlers Wyannie Malone and Nathan Key and pirate Matthew Lowe among her ancestors.

In 2012, she and her husband Tom Walters purchased the tiny cottage on Green Turtle Cay that her great-grandparents, Herman and May Curry, built after the 1932 hurricane destroyed their grand home.

Amanda documents the ongoing restoration of her ancestral home and writes about Green Turtle Cay and its history on her blog, Little House by the Ferry [link above. RH]

Tom, Amanda and their dog, Wrigley, divide their time between Green Turtle Cay and Los Angeles.

ABOUT THE ARTIST

As with so many Bahamians, it wasn’t until Alton Lowe left home at 16 to become an artist that he truly realized the uniqueness and beauty of his home country.

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In the decades since, he has devoted himself to capturing the people, scenes and history of the Bahamas in original oil paintings.

Lowe’s colourful works hang in public and private collections worldwide, including those of HRH Queen Elizabeth and Prince Philip, as well as Prince Charles and the late Princess Diana. He has staged 38 one-man shows to date, and more than 100 of his works have been commissioned by the Bahamian government for use as postage stamps.

Reflecting his commitment to preserving Bahamian history, Lowe founded Green Turtle Cay’s Albert Lowe Museum and was instrumental in the creation of the island’s Loyalist Memorial Sculpture Garden and Island Roots Heritage Festival.

Through his body of work, he hopes to convey the magnificence of the Bahamas and to inspire his fellow Bahamians to appreciate, enhance and protect their remarkable history for future generations.

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Text and images Amanda Diedrick except welcome sign (GTC Rentals) and the photo below (socmed / open source)

Abaco map by Thompson (1812): note the strange geography, place names and spellings

For more historic Abaco maps click HEREabaco-historic-map-thompson-1815-crop-copy

The opening of the Albert Lowe Museum, Green Turtle Cay, AbacoAlbert Lowe Museum GTC Opening Nov 1976

MARSH HARBOUR ONLINE MUSEUM: A NEW RESOURCE FOR OLD ABACO


Marsh Harbour, Abaco - Old Photo

MARSH HARBOUR ONLINE MUSEUM: A NEW RESOURCE FOR OLD ABACO

There’s a new arrival on Facebook, and the word is already out. Within 12 hours the page has gained 119 followers*. Already there are some wonderful old photos of family groups and MH residents. Some are named; some may be waiting for someone to recognise them. The header image (thanks for use permission, MHOM) is both instantly recognisable yet puzzling. Is that Snappas over there… no, look, there…? To get straight to the page, click HERE. I guess they’ll want to hear from anyone who has old photos or postcards of MH; or who can help with ID of people and places.

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There is a similar resource for GREEN TURTLE CAY, where Amanda has a great blog LITTLE HOUSE BY THE FERRY. In part it records the restoration of her family home. However, it is also packed with old photos (with people invited to name the unknowns) and details of a fascinating genealogy project through DNA samples. MAN-O-WAR CAY has a Facebook Group called Man-o-War Cay and Abaco Family History with similar aims. HOPE TOWN has a very active Facebook page fronted by the iconic LIGHTHOUSE. And so on. Not forgetting the museums such as the WYANNIE MALONE MUSEUM, Hope Town and the MAN-O-WAR CAY HERITAGE MUSEUM.

‘Elbow Reef’ – antique engraving Hope Town Abaco - historic print

I am neither Abaconian nor even a second-homer, so I tread lightly in these matters for obvious reasons. However, I have posted a few items about Abaco’s history from time to time so I’ll add a few links below in case anyone is tempted to investigate further. Meanwhile, I notice that in the time I have put this post together, the followers for MHOM have risen to 139…

ABACO HISTORY: SHIPS, MAPS & HOLE-IN-THE-WALL

CHARLES CORY’S C19 BIRDING EXPEDITIONS TO ABACO

“GLIMPSES OF LIFE ALONG A CORAL REEF” A c19 NATURALIST VISITS ABACO

MAN-O-WAR CAY, ABACO: THE HIDDEN BOAT-BUILDING VILLAGE

HOPE TOWN LIGHTHOUSE, ELBOW CAY, ABACO – A BEACON ICON

I’ll end with what I believe to be the oldest known depiction of Hole-in-the-Wall in all its glory, before Hurricane Sandy did for it. It’s an aquatint published in the Naval Review in 1803. If you want to know what the ships are, you’ll have to click the top link. This will also offer you a number of other posts about Hole-in-the-Wall and Abaco more generally, traced through historic maps. Or just open a Kalik, why not. hole-in-the-wall-print-1803

*In the same time, poor Miley Cyrus has lost 2314. Wrecking Ball indeed. Whoops! There go another 249…

MAN-O-WAR CAY, ABACO: THE HIDDEN BOAT-BUILDING VILLAGE


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MAN-O-WAR CAY, ABACO: THE HIDDEN BOAT-BUILDING VILLAGE 

I am very pleased to be able to feature a Guest Contributor Fabian Fernander, managing editor and owner of SANDY SLIPPER TRAVEL and online magazine. The boat-building history of the Bahamas, of Abaco, and in particular of Man-o-War Cay, is a fascinating one. It is not a subject in my own repertoire, so I welcome the chance to showcase Fabian’s article and the wonderful historic photos courtesy of the MAN-O-WAR HERITAGE MUSEUM.

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Maurice Albury building dinghy on MOW cay 19xx

“Who would ever think nestled in the heart of the Bahamas. Hidden away from view. Inaccessible by large planes and removed from the hum of technology; would be a boat building village in the Bahamas.

Man of war cay (named after the bird) is a small yet well knitted community of bustling boat builders, that have been graced with their skill from generation to generation.

Residents here have always depended on shipbuilding for its livelihood and some boats are still handmade-without-plans in a tradition that has been passed down for centuries.”

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Boat under construction W.H. Albury yard 1960

“The town has remained untransformed over time and resembles a New England sea-side village; and rightly so.

As its original inhabitants were both religious and political escapees; loyalist to be exact.

It is through resilience that these men and women who fled from their homes, picked up and honed the trait of boat building.

In the early days of boat building the residents began by using Abaco Pine to craft their world renowned fishing and sailing vessels.”

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Basil Sands working on a boat, at the W.H. Albury yard 1960

“Boats were originally built by crafting a skeleton or rib of the boat from pine that grew locally in the Abaco forests. These skeletons were then hand carved and shaved to conform perfectly to the palms-up-spread template of the hull.

After the ribs were coupled, pine wood planks were then affixed to form the hull of the boat.

During the 1960′s when Abaco pine became a quintessential element in building structures and homes in all of the islands, the procurement of pine for boat building became harder and harder.

It is during that period that innovation reared its head once again and fiberglass became the material of choice to continue the successful process of building renown fishing and sailing vessels.

Using fiberglass as molds was a very expensive process, but in modernization a necessary tool that reduced the amount of manual labor required.

The frame of the wooden boat was coated with the fiberglass material and from this a permanent mold was created, which was then used to make the outer shell of numerous boats.

This style of boat is called the Outboard Runabout (or the Outboard Fishing Boat).

Many other types of boats are also made including model boats, 14 ‘ wooden Man O’War sailing dinghies and 21′ Man O’War speed boats.

The boats have become collectors items and much requested custom designed artifacts.”

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The William H Albury Schooner

“Man o’ War Village: another one of the hidden secrets of the Bahama Islands”

“About the author: Fabian Christopher is the Managing editor and owner of Sandy Slipper Travel and online magazine. An avid enthusiast of the Bahamas, he is always ready and available to make your vacation dreams in the islands a memorable experience.”

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Photo credits  MAN-O-WAR HERITAGE MUSEUM 

(except for historic 1803 aquatint header of the ‘late’ Hole-in-the Wall)

[RH note: If you have enjoyed this article, I recommend a visit both to Fabian’s website (link in the first para), and to the Museum’s website, also linked above, where you will find a wealth of historical Abaco material]